Ida Tikhonova

The title on the 1925 sheet music for “By the Light of the Stars” was hand lettered in an eccentric Art Nouveau type style with varying character shapes and line widths.

This is now available as Erratic Nouveau JNL in both regular and oblique versions.

Easy Stencil JNL is a simple sans serif stencil design [based on a hand lettered example] from the 1922 publication “Modern Show Card Writing” and is available in both regular and oblique versions.

Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.

In the 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews is an example of what is termed “poster lettering” that is so free form and unusual it borders on the eccentric.

Resembling lettering more commonly found in 1960s “underground comics” of the Hippie generation rather than of the Art Nouveau period, it oddly enough works well in both styles.

This novelty typeface is now available as Hippie Comics JNL in both regular and oblique versions.

In its heyday, the Starlight Room of the Waldorf-Astoria in New York City quite frequently printed lunch and dinner menus for not only their rotating bill of fare, but also for special events held there.

The 1937 Electrolux (Eastern) Appreciation Banquet has its own menu cover, and the lettering was in a simple, yet Art-Deco influenced condensed block design with squared features.

This simple and quirky typeface has been digitally redrawn as Sales Convention JNL, and is available in both regular and oblique versions.

An elegant, yet informal Roman alphabet with Art Nouveau influences was found amidst the pages of the 1922 edition of “The Expert Sign Painter”.

It is now available digitally as Sign Expert JNL in both regular and oblique versions.

In most cases, motion pictures with a Western theme have their titles and credits lettered in type styles that reflect the period of the Old West.

In 1966, the titles and credits for “Texas Across the River” used casual sans serif lettering more suited to the 1960s than a Western taking place in the 1800s.

Nonetheless, the lettering inspired a digital font entitled Adventure Film JNL and it is available in both regular and oblique versions.

The opening titles and credits of the 1947 film comedy “The Egg and I” were done in a hand lettered casual sans serif typeface which inspired the digital font Egg Farm JNL; available in both regular and oblique versions.

“The Egg and I” introduced audiences to Ma and Pa Kettle as portrayed by Marjorie Main and Percy Kilbride, who went on to do a number of additional films as those characters.  

There is no doubt that the 1941 version of “The Maltese Falcon” was superior to the prior two attempts by Warner Brothers at filming Dashiell Hammett’s 1930 novel.

Sam Spade was perfectly portrayed by Humphrey Bogart, and the supporting cast of Mary Astor, Peter Lorre, Sidney Greenstreet and Elisha Cook, Jr. rounded out the main players in a great suspense film that is considered to be the first (if not one of the first) of the film noir genre.

The title cards for the production and cast credits were hand-lettered in a spurred serif type style strongly reminiscent of the Art Nouveau period, so instead of naming the digital version with some “tough guy detective” moniker, it was decided that Detective Client JNL was more appropriate.

After all, this is a reasonably attractive font, and in this kind of film it’s usually the “attractive damsel in distress” [be she the victim or the actual perpetrator] that gets the story rolling…

Detective Client JNL is available in both regular and oblique versions.

The Night Lamp is a horror style display font. Inspired from horror thriller movie. 

This font designed for Halloween, Horror, Thriller and Scary theme projects.

The Night Lamp would be perfect for logo, quotes, apparel, comic, cover books, cards, posters, or anything that requires a horror or scarylook!

The Art Deco hand lettered opening credits for the 1936 French drama “La Belle Équipe” [English title: “They Were Five”] provided the inspiration for Foreign Film JNL, which is available in both regular and oblique versions.

According to Wikipedia, the film “…tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.”

While this bold, chamfered typeface may look like a sports font, it actually came from the opening credits for the 1955 Western film “The Man from Bitter Ridge”.

Game Rules JNL is available in both regular and oblique versions.

Perhaps all people knows that oranges are healthy. One single orange provides almost every daily need of vitamin C. This font is called Appelsin, which is the danish word for orange. Perhaps this font is just as healthy for your designs as well? ;)

The gently spurred serif hand lettering found on an advertisement for Berkshire Stockings (circa the 1920s) was the inspiration for Nouveau Elegance JNL, which is available in both regular and oblique versions.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

The hand painted signage from a 1950s era photo of the Miami Diner Restaurant in Miami, Florida inspired the digital version of its 1940s-influenced lettering.

Roadside Diner JNL is available in both regular and oblique versions.

Introducing a quirky monoline love font called "My Love Letter", a quirky playful font with 3 different versions of the font, the difference between each version is in the shape of the heart.

This font best uses for valentine, wedding, invitation, heading, cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more.

This font is also support multi language.

“Due Giorni”, two days in italian language, express a measurement of time, it can be little or a lot, depending on who or what it is used for.

“Due Giorni” is a script font very expressive, fresh, agile and dynamic, hand-drawn with connected forms on slanted angle of 23º

This font contain 542 glyphs with plenty OpenType features: Standard and discretionary ligatures, stylistic alternates, swashes, Old style figures, small caps, case sensitives and ornaments.

It come also, with three kind of capitals: Roman Capitals, Small Caps (different proportions) and Swashes.

Roman Capitals are inspired on the beautiful inscription found in the Augustorium’s house in Ercolano, Naples.those letters have been carefully drawn and sculpted. Swashed Cursive Capitals are similar to 18th century penmanship.

“Due Giorni” is a versatile font that may give you the chance to create original logos and headlines, specially by many stylistic sets, ligatures and alternates that can be combined with them.

It is not really a font, they are more icons. Based on a grid of seven circles al 127 possibilities – filled an unfilled. Use it decorative or just for fun.

English

This font is based on the Gothic fraktur calligraphy dating from the year 1400, but with some modifications of modern calligraphy, it has been created for use in tattoos, calligraffiti, artistic designs for posters, brochures, invitation cards, editorial design among others.

Frakturata Blackletter was written with a modern pen and digitized by Ricardo Patiño. The font contains a set of alternate letters and swashed type variations is a perfect typeface for creating beautiful designs and writing.

Español

Esta typografía está basada en la caligrafía Gótica fraktur que data del año 1400, pero con algunas modificaciones de la caligrafía moderna, ha sido creada para usarla en tatuajes, calligraffiti, Diseños artísticos de carteles, folletos,tarjetas de invitación, diseño editorial entre otros.

Frakturata Blackletter fue escrita con una pluma moderna y digitalizada por Ricardo Patiño. La fuente contiene un conjunto de letras alternativas y variaciones tipo swashed es una tipografía perfecta para crear hermosos diseños y escritos.