Ida Tikhonova

Klothilde is a handwriting font which came to life in one of my doodling sessions (I must admit I still doodle with pen and paper). The idea was to create a font which resembles writing with a quill on paper with exaggerated ball terminals. Sometimes there is too much ink which makes the letters fat and the strokes uneven. The paper soaks the ink resulting in blurred line crossings. The form gets blurry. On the other hand, when the quill runs out of ink the stroke gets thinner looking like the light version of Klothilde. In order to emulate the different looks, I created six fonts with a common skeleton but different appearance which can be altered seamlessly by using the Variable Fonts technology (e.g. in latest Adobe apps or CorelDRAW Graphics Suite) along the Weight and Blurred sliders. But even without, Klothilde can be used even in longer copy. Use it from 18 pt upwards, flush left with tight leading and intersecting ascenders and descenders. Due to extensive manual kerning, it gives your text an even colour.

To my knowledge, Klothilde is one of the first script Variable fonts in different weights.

No, Klothilde’s letters are not connecting. But I added a whole bunch of connecting ligatures which are simply activated by the ligature feature of your app. Even Microsoft Word can do that. Thus Klothilde comes to life, as it should be expected from a handwriting font. In order to add to variety there are additional glyphs for some critical initial and standalone letters. Repeating letter combinations like nn, mm or rr are avoided by replacing the second letter by an alternative form. All features are activated by the standard ligature feature.

Ligatures are available for most European languages, some even in Cyrillic (some special Serbo-Croat letters included and accessible through localization or Style Set 08 features). Romanian comma-accent characters and ligatures are accessible through the OpenType locl feature.

For the topping on the cake, I added an alternate ampersand (stylistic set 1) and asterisk (ss04), an alternate Cyrillic b (ss02) and t (ss03), a few fleurons, arrows and a skull (OpenType feature ornm), fractions (frac feature), circled numbers (ss06) and an interrobang (ss07) which result in exactly 900 glyphs in each of the six fonts. There should be enough to play with. Should you be missing a special character, do give me a hint.

Costyle is a handwritten font. Its unique flow and easy signature style makes it perfect to use for logos, signatures, quotes, badges, labels, packaging design, blog headlines or simply use it in your next design project.

multilingual support for the following languages : Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swahili, Swedish, Swiss German.

if you have any Question please Message Me.

Big Thanks

Ergibi Studio

Callient is a Modern signature font presentation from Ergibi Studio. This font includes uppercase, lowercase letters, numbers, punctuation, symbols, binders and multilingual support. Callient is perfect for branding, photography, invitations, quotes, watermarks, advertisements, product designs, social media posts, stationery, labels, and more!

I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :)

Thank You, Ergibi Studio

Trovoada Mono is a monospaced font for use in print (but also looks great on display). Hand-drawing glyph by glyph, my intention was to get that old manual typewriter look, with uneven inks, but with a totally up-to-date, emotional and admittedly humorous attitude. Trovoada Mono borrows from classics like Courier and Letter Gothic, reinventing serifs here and there. The result is a font that is both familiar and unusual.

As I love Greek typography, I made sure to include a full polytonic alphabet, in the same vintage spirit: the text looks very legible and matches the Latin characters.

The font has no kerning, obviously, and no ligatures (this is a typewriter, my friend!), but it has important OpenType features: fractions, subscripts/superscripts, slashed zero and stylistic alternatives for some characters.

The italics are 11 degrees, which brings a strong personality. Some characters have true italics, giving the text an overall texture different from the upright type.

All that is missing is that nervous typewriter noise. Enjoy! 

Anelo is about beauty with objectivity. A handmade sans serif with a humanist style. 889 Latin and Greek glyphs covering lots of Western and Eastern European alphabets.

You can use Anelo from a LaTeX equation (there are 117 Greek/Coptic glyphs; please see image #6 in the gallery for an example of an Anelo/Computer Modern combination) to billboards and traffic signs. Its crisp, upright, handmade aspect takes communication to a direct and personal level.

Anelo has some important OpenType features, like: kerning, standard ligatures, old style/tabular/proportinal figures and diagonal fractions. There are 25 currency symbols, including Euro ₠ €, Shekel ₪ and Bitcoin ₿.

Anelo is composed in CFF (Postscript outlines) technology, which gives smaller file sizes and more eficient rendering in the Web.

Each Anelo style has a condensed version, which gives room to many interesting combinations. For best results on screen, the Semibold Family is recommended.

Nathan Classic is a sweet and unique design. This font is very suitable for products, logos, invitation letters and many others.